George Gershwin essays

George Gershwin essays George Gershwin was the most celebrated and wealthiest American composer who expressed the dreams of every American citizen of the 1920's. He achieved this by mixing different styles of music like Jewish, black, jazz, classical, blues and put them into one genre and created absolute music. He was primarily a composer of popular songs and a jazz pianist though. George became one of America's first premier composers. His compositions are still used today, and are used as examples of the American entrance to the musical world of Chopin, Beethoven, and Mozart. Although he did not live very long, his impact on American musical culture was undeniable. In the following paragraphs, his biographical information and musical works will be examined. George Gershwin born Jacob Gershowitz, in Brooklyn, New York on 26 September 1898, was born the second of four children of Morris and Rose Gershovitz, Russians who immigrated to New York in 1891. George had two brothers, Arthur and Ira, and one sister, Francis. George and his family lived on Manhattan's lower east side in a poor Jewish community. After settling down in New York, his father changed the family name to Gershvin. It was George who later altered his last name to Gershwin when he entered the professional world of music. Most of his family was not musically talented, but his brother Ira became a fairly well-known musician. He had the childhood of any average kid growing up in the early 1900's. Most of Gershwin's early childhood was spent playing sports, which he was good at, and it interested him. He was a very wild and robust child who was not interested in any type of school work (The George and Ira Gershwin Educational Fanpage.). Gershwin was first attracted to music when he was ten years old, when he heard Dvoraks Humoresque played by a young violinist at a school assembly. It wasn't until Gershwin was 12 years old that he first felt his calling as a mu...

Story vs. Plot Definitive Differences Between Them - Freewrite Store

Story vs. Plot Definitive Differences Between Them - Freewrite Store Today’s guest post is by Jackie Dever, associate editor at  Aionios Books, a small traditional-model publisher based in Southern California.    One afternoon a few years back, as I was rowing merrily down my stream of consciousness, a big ol’ rock appeared through the mist, rearing up so fast there wasn’t time to navigate around. My paper boat crashed and crumpled, leaving the SS Plotin a disintegrating, broken mess on the Great Story River. In this personal test of story vs plot, the latter came out a wreck. Even as the events leading to the story’s conclusion continued to flow past that damned rock, my unstable craft just couldn’t get around the monolith. Reckoning with the nature of imagination can be intimidating. But half the battle is understanding the elements. Aren’t story and plot synonymous, though? Can’t we count on those items for automatic symbiosis, happily married in a thrilling rush of prose? Well†¦nope. What’s the Difference Between Story and Plot? A story is the requisite timeline of events present in any narrative. No story? No novel. Because any novel, however abstract must report events of some kind. A plot expresses rationale and informs the reader why a specific list of events belongs together, what the timeline is ultimately meant to communicate. The classic example by E. M. Forster in his collected lectures, Aspects of the Novel, still says it best: â€Å"‘The king died and then the queen died’ is a story. ‘The king died, and then the queen died of grief’ is a plot.† When reading a story, Forster explains, we wonder â€Å"and then?† When evaluating a plot, we ask â€Å"why?† (PaweÅ‚ Furman) These questions sometimes fire up in the same breath, so understanding their separate sources is tricky. But as naturally as the components may appear to support each other, it’s really an author’s skill that makes them seem that way. Which means that whenever I or you or Stephen King sit down to write, we’ve got to manage both. We’ve got to keep readers engrossed in a pattern of wonderful wondering about what next? and why? for as long as we want their attention. How Plot Supports Story Nobody wants to keep asking infinitely â€Å"and then? And then? Annnnd thennn?† We’re nosy creatures; we need to know why. Unfortunately, when plot is missing from or accidentally discordant to story, the real question on a reader’s mind is â€Å"huh?† Plot delivers the nifty tricks that reassure us there’s a point to storytelling. Plot sets up the cause and effect that gives readers a sense of rightness in the story’s conclusion. The same story can be plotted in multiple ways: The king died, and then the queen died avenging him in battle. The king died, and then the queen died from the communicable disease he had spread to her when he spoke his final words close to her face. The king died, and then the queen, eager to free the lover whom the king had jealously locked in the dungeon, slipped on an icy cobblestone and died.    How Where You Begin Helps Determine Where You’ll End Up On each new fiction project, I draw broad inspiration from either a story-focused or a plot-focused angle. Both starting points have their benefits and their challenges. Starting with Story When a story inspires me, I formulate a series of events that leads to a fixed conclusion. I may not know precisely my characters’ motivations or the logic in their decisions, but I can envision the stops they’ll make along their trip. In other words, I’ll know that the queen’s death follows the king’s. The relationship between the events? To be determined. It can be a big relief to sort story out first. When I have the comfort of parameters, I can train myself to a tangible goal. And I enjoy the intellectual exercise of connecting events in a believable sequence. Still, there’s always a catch.   Even with an endpoint clear to me, I need strong supporting evidence (i.e., an effective plot) to justify my events. A few years ago, I decided to write a story about a man who sells a cottage on the beach for the sum of one penny. I savored each of the scenes I created, but in the end, I had only a weakly conceived fairy tale. The imaginative verve delighted me, but no matter how I maneuvered, I was unable to match the plot to the currents of the story. Wipeout. Starting with Plot When a plot stirs my creative juices, I know characters’ feelings and intentions. I take on my writing like a righteous but undirected college kid- searching, motivated, assured of core values and reasons, but clueless as to where the hell I’m going to end up. I’m less concerned, in fact, with where I end up than with why I end up there, so the itinerary is subject to change. Not all who wander are lost. I enjoy making narrative progress along such an organic route. Plotting my way into a story lets me be guided by emotional responses, not by a sightseer’s list of stops. I careen over waterfalls on the strength of my anger, hilarity, or wild joy. And when that passionate feeling is synchronized with the story, I praise my muses and trust the currents. But when I let emotional connections alone be my guide, I begin to wish I’d made some reservations or at least studied the map before heading out. It always sounds noble to speed off for adventure, rely on instincts to take me where I need to be. The reality hits only once I’m shivering in the rain and have no idea where I can pull ashore for the evening. Although too much predictability is stifling, it’s frustrating to lose my mental compass entirely. There’s No Wrong Way to Start It’s hard to classify any real-life creative burst quite as strictly as I’ve done above. Flashes of  both elements are usually blended in that aha! moment. But understanding the elements of each- and how they affect the writing process- is always what prepares me for the excursion ahead. Will I need to focus extensively on my characters’ whys and wherefores to guide my plot? Or will I do better to ensure that their motivations can be satisfied by the events I allow them to experience? We all write differently. As we commit to our writing practice, patterns emerge in our process and style. I happen to be a story-focused writer. Moving the plot from one moment to the next, validating my story with a logical core, is my primary struggle. (Toa Heftiba) Whatever our personal tendencies, though, recognizing  the connected-yet-distinctive elements reminds us all that we can, if necessary, experiment. You may attempt to match several stories with an intriguing plot before everything falls in place. Or you may decide to remain patient with a great story whose plot lacks the sturdiness to carry you through, search the banks of the river for a new entry point, a more fitting course. It’s okay to take apart and rearrange, to radically transplant ideas. That constant reconfiguration is the source of diverse and sparkling literature, even as the same themes repeat themselves through the ages. The love and the death, the surprise, the resignation, the magic. None of these will ever grow trite when there’s such a big world to experience and so many ways to communicate the timeless ideas. I’ll approach the many crisscrossed rivers of my fiction from a thousand angles, strapping on mechanical wings for an aerial perspective or poking down a parallel back road in a coughing Model T. Wherever (and however) we roam, may we all learn to appreciate the view.    We'd love to hear your  thoughts of the differences in the comments!      Jackie Dever is an editor and writer in Southern California. She has edited blogs, corporate materials, academic texts, novels, and biographies. She is an associate editor at  Aionios Books, a small traditional-model publisher based in Southern California. She recently finished proofreading the 2017 San Diego Book Award–winning memoir  A Few Minor Adjustments  (September 2017) by Cherie Kephart. She blogs about writing and publishing, millennial lifestyle trends, and outdoor sports.

Leadership and Why it is Imperative to Enforce Rules and Regulations Essay

Leadership and Why it is Imperative to Enforce Rules and Regulations Set in Place - Essay Example The military culture is a unique environment that fosters leadership in each soldier as a consequence of traditions, standard sets of values and ideals and norms of conduct established over a long series of generation of a nation. In other words, leadership is nurture, not nature. Since a military leader operates within a dynamic and politically sensitive environment, it is important that a military leader must influence each and every member of his chain of command to accomplish missions with a sense of purpose, direction and motivation. Military leaders in all levels must be able to effectively communicate, coordinate and negotiate with different individuals and groups representing various organizations within and outside the government, as well as with the local and international media. It could not be more emphasized that a nation’s sovereignty and security depends on a strong military leadership. Military leadership, in peacetime and war alike, must also be solidly ground ed on moral responsibility and selfless service by placing the welfare and needs of the people above all else. It is the kind of leadership that heavily invests on the performance of duties to the nation with the highest of integrity and even at the expense of personal sacrifice by every soldier. A good soldier knows this; he understands the strategic implications of his actions and behaviors on national objectives and takes a professional oath to that effect. And like every professional, a soldier as a leader must remain competent and functional in their designated fields, especially in the midst of fast-paced information and technological advances, and must be thoroughly knowledgeable on the constantly changing national policies, laws, and rules of engagement, as it spells the difference between the life and death. Since a military leader must mobilize his subordinates as a cohesive team, he must develop and ensure a positive command atmosphere to encourage honesty and confidence within each member of the team enough to build trust that their personal wellbeing are being seriously taken care of as well. Although a military leader should not be also afraid to exercise their authority to punish their subordinates who behave counter to unit tasks and standards that may compromise their objectives and missions. The nature of leadership in the military is therefore a continuous and progressive process defined by careful and methodical planning and strategy. The process of cultivating leadership in every soldier starts by proper training and education. Numerous military academies all over the world vigorously prepare the best and the brightest students for a military career by offering specialized courses specifically designed to prepare each student for their chosen branch of service upon graduation in direct response to the need of their respective nations. Such institutions play a key role in instilling values such as loyalty, respect, honor, and commitment int o aspiring soldiers from the beginning aside from honing their tactical and technical skills as warfighters, which would serve them well in time particularly in the frontlines of battle. As developing leaders, soldiers must learn how to always anticipate and manage sudden changes followed by the ability to act quickly and decisively under pressure. Soldiers assuming leadership roles must first determine what is expected of himself and his team, to assess the

Power and Privilege Homogenous Choice Essay Example | Topics and Well Written Essays - 500 words

Power and Privilege Homogenous Choice - Essay Example I believe that it is possible to respect the differences between individuals and cultures, while retaining the natural comfort level found in individual association. I call this homogenous choice. As an individual, I am aware of the differences between myself and others. Whether those differences are cultural or behavioral, I know that I can face a dilemma as I react to those differences. Although space does not permit me to delineate all of the possibilities, I think that a consolidation of the ideas comes down to one word: Respect. If my responses to the differences in people I meet, and their unique way of perceiving the world, are respectful of their point of view, I can avoid a negative perspective that includes prejudice or racism. Different isn't bad, it is just different. That said, I don't have to embrace all the differences I encounter; or even like them. I can respect my own perspective as a valid point of view, and extend that same significance to the people I meet. The guiding principle for me, as for most other people, is personal comfort. I am naturally more comfortable with certain cultures than others, especially my own. In his article on the subject of diversity, David Brooks points out that people are "finding places where [they] are comfortable and where [they] feel [they] can flourish" (30).

Comparing A Dolls House and Oedipus Rex Essay -- comparison compare c

Comparing A Doll's House and Oedipus Rex Ibsen's drama "A Doll's House", serves as an example of the kind of issue-based drama that distinguishes Ibsen from many of his contemporaries. The play's dialogue is not poetic, but very naturalistic, and the characters are recognizable people. Given the sense of modernity which the play possesses it seems unusual to compare it to a Greek tragedy produced more than two-thousand years previously. On closer examination however, there are certain similarities between the way in which "A Doll's House" is plotted and a tragedy such as Oedipus Rex. Both "Oedipus" and "A Dolls' House" depict disastrous events that occur to two very different characters. At the start of Oedipus, we encounter a hero who is almost universally adored. Oedipus is a popular king who by the end of the play will be reduced to the lowest level possible. Classically the tragic hero began a piece as a man of high position since this made his demise all the more tragic. That the tragic centre if Ibsen's play is both female and not particularly birth is a distinct departure from the classical condition of tragedy. Ibsen has moved many concepts of the genre and placed them in a domestic setting. In order to see the way Nora can be viewed as a true tragic heroine it is useful to examine some of the concepts which Greek tragedy frequently made use of. In both plays the trouble that befalls the lead characters are due to their own actions Oedipus commits a series of huge mistakes the significance of which are not really understood until it is too late. In "A Doll's House", Nora borrows a sum of money, an action that will tear her family apart. The idea that the tragedy of a play begins with a hug... ...2-838. O'Brien, Michael J. Introduction. In Twentieth Century Interpretations of Oedipus Rex, edited by Michael J. O'Brien. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1968. Segal, Charles. Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge. New York: Twayne Publishers, 1993. Sophocles. Oedipus Rex. Transl. by F. Storr. no pag. Available http://etext.lib.virginia.edu/etcbin/browse-mixed new?tag=public&images=images/modeng&data=/texts/english/modeng/parsed&part=0&id=SopOedi "Sophocles" In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984. Van Nortwick, Thomas. Oedipus: The Meaning of a Masculine Life. Norman, OK: University of Oklahoma Press, 1998. Watling, E. F.. Introduction. In Sophocles: The Theban Plays, translated by E. F. Watling. New York: Penguin Books, 1974.

Due Process vs Crime Control Essay

Abstract Although crime control and due process have some similarities, there are more contrasts between the two. Crime control emphasizes crime prevention, whereas due process emphasizes the protection of citizen’s rights from mistakes made by criminal justice agencies. The ethical dimensions of key issues confronting the criminal justice system and private security concerning to due process and crime control are citizen’s rights, proper legal representation, as well as physical force, when to use deadly force, and deceptions. The private security industry also faces key ethical issues regarding the lack of training, in addition to violations of rules and regulations. Due Process or Crime Control The ethical extent of key issues confronting the criminal justice system and private security regarding due process and crime control are many, such as not knowing what the right course of action is, difficulty doing what is considered right, or simply finding the wrong choice to be very tempting. Due process is a citizens’ right to proper legal representation, procedures, and justice of individuals, which decreases the power of government. The main goal of due process is to protect individuals from mistakes made by law enforcement agents and prosecutors. In contrast, crime control increases the power of the government in order to protect society, which diminishes an individual citizen’s rights (USLegal, Inc., 2001-2008). The main goal of crime control is crime suppression, which includes key issues of physical force, when to use deadly force, undercover work, deceptions, as well as many others in the criminal justice system. In the private security field, the key issues include the lack of training and violations of rules and regulations of the industry (Gould, 2008). Due Process According to Packer’s due process model, which consists of the following points of view, emphasizes the contrasts with the crime control model (Cliffnotes.com). 1. The most important function of criminal justice should be to provide due process or fundamental fairness under the law. 2. Criminal justice should concentrate on defendants’ rights, not victims’ rights, because the Bill of Rights expressly provides for the protection of defendants’ rights. 3. Police powers should be limited to prevent official oppression of the individual. 4. Constitutional rights are not mere technicalities; criminal justice authorities should be held accountable to rules, procedures, and guidelines to ensure fairness and consistency in the justice process. 5. The criminal justice process should look like an obstacle course, consisting of a series of impediments that take the form of procedural safeguards that serve as much to protect the factually innocent as to convict the fa ctually guilty. 6. The government should not hold a person guilty solely on the basis of the facts; a person should be found guilty only if the government follows legal procedures in its fact-finding. Crime Control The following contentions are the key concerns of the crime control, which points out the differences of due process. (Cliffnotes.com). 1. The repression of crime should be the most important function of criminal justice because order is a necessary condition for a free society. 2. Criminal justice should concentrate on vindicating victims’ rights rather than on protecting defendants’ rights. 3. Police powers should be expanded to make it easier to investigate, arrest, search, seize, and convict. 4. Legal technicalities that handcuff the police should be eliminated. 5. The criminal justice process should operate like an assembly-line conveyor belt, moving cases swiftly along toward their disposition. 6. If the police make an arrest and a prosecutor files criminal charges, the accused should be presumed guilty because the fact-finding of police and prosecutors is highly reliable. 7. The main objective of the criminal justice process should be to discover the truth or to establish the factual guilt of the accused. Similarities between Due Process and Crime Control Although the differences are many and well emphasized, there are a few similarities between due process and crime control. Both uphold laws and regulations that have been established throughout the many years of this country. The similarities are: 1.Accept constitutional values 2.Hold to ex post facto prohibition 3.Duty to enforce laws where violations have occurred Conclusion Due process and crime control propose to serve similar objectives, which are to reduce crime and protect the citizens of the United States. The ethical key issues that plague the due process and crime control models vary among the two, in how to deal with the many issues and the best way to deal with the issues are conflicting. The differences between the two on how to reach these objectives are many, yet the few similarities assist in keeping both processes abide by the laws established by the government of the United States. References USLegal, Inc. (2001-2008). US Legal Definitions. Retrieved on January 5, 2010 from http://definitions.uslegal.com/c/crime-control-model/ Gould, M. (2008). Business, Ethics & Society, (p. 1). Great Neck Publishing. Retrieved January 4, 2010, from Research Starters – Business database. CliffsNotes.com. (n.d.). Which Model? Crime Control or Due Process. Retrieved on January 4, 2010, from http://www.cliffsnotes.com/WileyCDA/CliffsReviewTopic/topicArticleId-10065,articleId-9911.html

Can Researchers Identify Sea Turtles Through Photo...

Article 1- Investigating the viability of photo-identification as an objective tool to study endangered sea turtle populations 1. The question that the researchers are trying to answer is whether photo-identification is a sensible practice to research endangered sea turtles. Their hypothesis was that people would be able to accurately, reliably, easily be able to distinguish individual sea turtles using natural markings. The researchers’ prediction is that if people use photo-identification then they will be able to determine individual sea turtles by matching the markings in the picture to the sea turtle. 2. For the experiment, first, an expert observer is tested on her matching abilities of the photos to tagged turtles with and†¦show more content†¦5. I feel like photo-identification of sea turtles could completely change how sea turtles are studied now. From the results of the expert observer, after naà ¯ve observers are trained turtles can be accurately and easily identified. It would also avoid the problems of broken tags or harming the turtle but still be able to observe the turtles. This experiment will help science because photo-identification will be a stable tool to study turtle population, ecology, behavior, and conservation data. Article 2- Recent changes in the diet composition of common minke whales (Balaenoptera acutorostrata) in Icelandic waters. – Consequence of climate change? 1. The question that the researchers are trying to answer is why the diets of minke whales changed. Their hypothesis is higher sea temperatures caused minke whales diets to change. They predict that rising water temperatures caused the preferred food source of minke whales to decrease therefore causing the minke whale’s diet to change. 2. The basic experimental design was that over 5 years researchers caught minkle whales and within 3 hours of death, analyzed the diet of the whale. They found the volume and weight of fore-stomach, verified what species the whale had eaten, and determined how frequent a species was eaten. The responding variable is the species found in the whale’s diet that yearShow MoreRelated_x000C_Introduction to Statistics and Data Analysis355457 Words   |  1422 PagesJessica Perry Project Manager, Editorial Production: Jennifer Risden Creative Director: Rob Hugel Art Director: Vernon Boes Print Buyer: Karen Hunt Permissions Editor: Isabel Alves Production Service: Newgen–Austin Text Designer: Stuart Paterson Photo Researcher: Gretchen Miller Copy Editor: Nancy Dickson Illustrator: Jade Myers; Newgen–India Cover Designer: Stuart Paterson Cover Image: Paul Chesley/Getty Images Cover Printer: Courier Corporation/Kendallville Compositor: Newgen–India Printer: CourierRead MoreExploring Corporate Strategy - Case164366 Words   |  658 Pagescase study or Illustration 2.3 on The Steel Industry could be used. Some cases are written entirely from published sources but most have been prepared in cooperation with and approval of the management of the organisation concerned. Case studies can never fully capture the richness and complexity of real-life management situations and we would also encourage readers and tutors to take every possible opportunity to explore the live strategic issues of organisations – both their own and others. TheRead MoreCost Accounting134556 Words   |  539 Pagesactivities that customers perceive as adding utility to the goods or services they purchase. Nonvalue-added activities do not add value to the goods or services. 1–4. Differential costs are important for managerial decision making, but other cost data can provide management with additional important information. For example, inventory values and costs of goods sold are important for income tax and financial reporting purposes as well as for most bonus and cost-plus contracting purposes. Cost s for performance